This was a book that caught my attention straight away. It appeared to promise a strong female protagonist who rebels against what is expected of women in 1896 by pursuing her own dreams and ambitions, along with witty humour and a captivating mystery featuring the disappearance of her mother, Lily. So far, so good. And yet, all was not what seemed to be.
The pacing was messy; the first half was slow and at points, I did wonder if I would carry on reading. The first half was taken up by Violet’s inner monologues that were repeatedly about her mother, whom she idolised, her own life and of course, not wanting to get married, which got rather tiresome and irritating after a certain point. Needless to say, for the first half, there wasn’t any semblance of a plot. However, this started to change in the second half, whereby the pace started to pick up considerably and strands of a plot emerged.
The mystery surrounding Lily’s disappearance didn’t feel compelling enough; there was something lacking in the way of interest and intrigue. It perhaps didn’t help that Lily did not evoke any kind of sympathy; in my mind, she was selfish, self centred and certainly not deserving of the pedestal that Violet had put her on. The more that was unearthed about her character and circumstances of her disappearance, the more interest I lost.
Despite Violet having a more palatable disposition, I had difficulty connecting with her as well but to a much lesser extent. Violet was definitely persistent and despite being put on the back foot, on many different occasions, due to her naivety of being raised as a ‘proper lady’, she carried on, unperturbed. Yet, Violet rarely displayed intelligence, any awareness of the danger and the much needed fierceness. I was unsure if this was due to how her character had simply been written or a reflection of how women were in 1896. Either way, for me, regardless of the potential, her character fell short. When it came to Frank Knight, her resolve seemed to break and once again, she was swept along with his manipulations and society’s expectations, which at points confused me. At least, towards the end, Violet displayed some much needed character development and shrewdness.
There were splashes of humour throughout, especially interactions between Violet and Blackthorne. But, these were limited and it would be a stretch to say that this was a witty, humorous book. I appreciated the small amount of ‘quiet’ romance that was weaved within the mystery arc, that slowly built up as more time elapsed.
The ending was a satisfying one, especially with the climax being action heavy. Everything had been wrapped up properly.
Overall, I was disappointed with this book; whilst the romance had been well written and there was some character development, the pacing was a little too slow. Violet was an overly naive, unaware protagonist, whose repetitive internal monologues were tiresome.
Saz
P.S. Why do horses have low divorce rates? Because they have stable relationships.